In the 1980s and 1990s, Fujifilm and Kodak were very much like the yin and yang of photography’s major players. With Kodak’s Ultramax there is Fuji’s Superia. With T-Max there is Neopan. With Ektachrome there is Provia. And of course with Portra 400 there is Pro 400H. Fuji’s Pro 400H is their professional medium…
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