Last year, Harman introduced 35mm film photographers to Phoenix’ unique new take on colour. Now 120 photographers can enjoy this same rich palette, but with all the impeccable quality of…
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A while ago, I wrote about using Ilford MG paper in a large format camera to make paper negatives, and using Ilford MG filters to control contrast. You can find... Continue reading →
Profoto has just recently introduced the Fresnel Small, which has a 200mm wide lens, designed for use with both domed ProHeads and flat front monoheads (except for the A-series). This... Continue reading →
We wanted to remind you that full-time registered students are eligible for savings on a variety of equipment, from cameras and lenses, to lighting and studio equipment, as well as…
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I prefer my photography to be solitary. As a writer sits with a pen in a room (if he can afford one — the pen or the room), a photographer... Continue reading →
We have our final two open-box (but in pristine shape – never rented or even shot with, just looked at) GFX models at some great prices, since they are being…
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Beau Photo now has a few more items for the studio that I want to share with you. Along with the BD seamless backgrounds you have come to know, we... Continue reading →
The Tachihara Hope 4×5 field camera is a well-regarded choice among large format photographers, particularly those who value portability and ease of use. The body is constructed from wood (likely…
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Kodak Portra (introduced 1998) and Kodak Gold (introduced 1988) are two of the most popular colour negative films from Kodak, but what really is the difference between them (other than…
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*NEW* Profoto Pro-D3 1250W Kit Profoto recently announced the release of their new Pro-D3 monoheads, and we have just received a pair of the 1250W heads! Intended to be the…
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